Episode 21: ROOKIE
We talk with Joe Bordenaro and Max Loebman from the Chicago band ROOKIE. Their self titled debut, just out on legendary Chicago label Bloodshot, is a wonderfully full throated blast of rock music; influenced by classic guitar bands of the last century but with their own distinctive and energetic twists. We talk about the making of the record, touring with Cheap Trick, covering Tears for Fears, underwater vocals, and cheesy drum effects. Also covered: my dance moves, and I get fitted for my official ROOKIE jumpsuit.
ROOKIE is six matching jumpsuit-clad, shaggy-haired friends from Chicago who play rock-n-roll that’s more at home next to their parents’ battered LPs than on their friends’ streaming playlists. The band’s self-titled debut full-length album deftly reformats the classic rock landscape with blowtorch hooks, enthralling harmonies, evocative touches of cosmic country, and distinctively indie-minded songwriting. ROOKIE’s modern take on timeless American rock ‘n’ roll pulls from all corners of the sonic map; it’s familiar but fresh, lived-in but blown-out. It’s the ‘70s/’80s pop-rock sheen of recent tour-mates Cheap Trick; 3-minute precision songwriting of Big Star; loose Neil Young Americana; and the hazey, psych-flavored boogie of The Allman Brothers and Thin Lizzy. Though barely able to comfortably fit on most stages, once they’re plugged in and smooshed together, it’s a potent blend of power chords, blistering leads, and performance prowess beyond their years.
Like local peers Twin Peaks, Whitney, and Post Animal, ROOKIE emerged from an idealistic grassroots, Midwestern, youth community-centric, DIY scene. House shows and divey all-ages venues were the preeminent performance spaces and rock-n-roll was once again king. There is an all-inclusive and carefree essence surrounding the band, as well as their audience, reminiscent of the wide-eyed drive and sense of purpose of an underdog sports team or—more appropriately, given their coveralls—a Formula 1 pit crew. The band of 20-somethings created their broad-yet-intimate sound not long after forming in 2017 from the remnants of under the radar local outfits Joe Bordenaro & the Late Bloomers, Yoko and the Oh Nos, and Max and the Mild Ones. The budding project soon became the subject of excited whispers around town. In 2018, the group released two singles (“One Way Ticket” and “Let’s Get It Right”) and a 7” single (“I Can’t Have You But I Want You” and “The Move”) for nascent Chicago studio/imprint Treehouse Records. These recordings raised the whispers to the level of folklore.
